Christmas is icumen in, lhude sing St. Nick!

I almost feel like we are a big-box store, focusing on our Christmas concert now when there is so much that happens before that: the Texas Toot workshop this weekend, then Thanksgiving, then the St. Cecilia Baroque Festival, and then our four days of rehearsals, and then our concerts. I can’t wait! And then…well, there’s much more. At any rate, we aren’t having Black Friday Sales, so I’m relieved to remember that we aren’t a big-box store! More soon!

Danny

An Early Christmas in Europe

 Friday, December 12, 2014, 8:00PM
Saturday, December 13, 2014, 8:00PM
First English Lutheran Church, 3001 Whitis Ave., Austin, TX

 Sunday, December 14, 2014, 3:00PM
First Presbyterian Church, 8001 Mesa Drive, Austin, TX

Last chance to get discounted Partial Season Subscriptions for the remaining 4 concerts of the season!

Partial Subscriptions for 4 concerts are $108 general, or $90 for seniors.
Click on the "Buy Partial Season Tickets" button below.
Single tickets can be purchased by clicking on the button below
and are also available at the door, payable with cash, check, or credit card:
$30 general, $25 senior (age 60+).
Discount prices for students with student ID are available for purchase
at the concert door for $5. 

It’s already time for another Early Christmas! Join us as we explore the mystery and intangible essence of Christmas as TEMP puts its unique stamp on joyful carols and traditional songs from Western Europe and the British Isles, where many of the musical traditions we hold dear at Christmastime originated. TEMP will perform joyful and beautiful selections from these countries and others with innovative arrangements for solo voices, small chorus, harp, violin, flute, mandolin, viols, and lute. 

The familiar theme of the Nativity from the shepherds’ perspective—their wondrous and terrifying experience with the angelic host and their subsequent gathering around the manger to adore the Christ-Child—figures prominently in most early music Christmas repertoire, as do the themes of the Mother and Child and the New Year. We will present two iconic 12th–century works from France illustrating this theme: “Orientis partibus” and excerpts from the Play of Herod.

Lively works from an anonymous Spanish composer (“Falalanlera”) and an exciting double-choir work by Giovanni Bassano illustrates the importance and the beauty of Advent and Christmas in Renaissance Spain and Italy. Not to be outdone, however, are the works of composers in the Lowlands, whose diverse, virtuosic compositions for Christmas celebrations remain unparalleled in sheer beauty. The little-known Flemish composer, Guilielmus Messaus, created mini-masterpieces in this genre, and TEMP is happy to bring these to light for our audience. We are also glad to announce the return of our favorite Dutch carol: We haven’t performed “Herders hy is geboren” in several years, and its return is long overdue.

Our Christmas concerts are never complete without a little Celtic and English influence! Our versions of the “Christ-Child Lullaby” and “Drive the cold winter away” are in the program this year, as well as other favorites from the Celtic traditions. We are proud to feature nationally-acclaimed historical harpist Therese Honey, who will play the popular 18th–century Welsh “Nos galan,” which is very similar to one of the present day’s most ubiquitous Christmas carols. Which one? Come find out!

Our featured soloists include Jenifer Thyssen, Stephanie Prewitt, Meredith Ruduski, Jenny Houghton, Cayla Cardiff, Jeffrey Jones-Ragona, David Lopez, Brian Pettey, Thann Scoggin, and Daniel Johnson. Our instrumental soloists include Bruce Colson (violin), John Walters and Jane Leggiero (viols), Marcus McGuff (flute), Susan Richter (recorders), and Scott Horton (lutes). 

 Join Texas Early Music Project for a splendid evening of music. Encompassing eight hundred years of festive creativity and beauty, this music is sure to delight your ears and warm your heart.

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

No falalalalas for this walrus.

I think my last blog rambled on a bit about earworms from La Pellegrina. Ok, as you might expect, those have been replaced by a new, but still Italian, assortment that has taken up residence in my head: the final page from Rore’s O sonno, the recurring theme from Monteverdi’s Io mi son giovinetta, and the overwhelming passion of both Satiati amor and Italia mia, by Marenzio and Verdelot, respectively. These were all combating for my attention during breakfast, but it’s virtually a free-for-all that includes the other pieces the rest of the time. Despite being such sophisticated miniature works of art, most of them are certainly whistleable and memorable.

Here's a video teaser of Io mi son giovinetta:

You are invited to join us on this whirlwind tour and then be in possession of your own set of earworms from 16th-century Italy. Click on the buttons below to purchase tickets. Enjoy!

 Danny

Here's an invitation...To make a reservation....

Ah, October! Though we've already had several gorgeous days, our thoughts revel in the anticipation of even more cool weather and the Fall Toot and team sports played in large coliseums and our annual concert in College Station and food and drink made with substantial amounts of pumpkin. Yay! In the midst of all that is a little trip we're taking, without the need for a passport or shots or hotel bills. Yes, that's right, it's time for our much anticipated Madrigal Mystery Tour.... concert!

Danny

 

ITALIA MIA: MADRIGAL MYSTERY TOUR

 Saturday, October 25, 2014 at 8PM
Sunday, October 26, 2014 at 3PM
First English Lutheran Church, 3001 Whitis Ave.
Arrive early for closer access parking, especially on Sunday!

Partial subscriptions for 4 concerts are still available: $108 general, or $90 for seniors.
Single tickets can be purchased by clicking on the button below
and are also available at the door, payable with cash, check, or credit card:
$30 general, $25 senior (age 60+).
Discount prices for students with student ID are available for purchase
at the concert door for $5. 

One of the primary characteristics of Italian music is the power of sudden contrasts. So here’s a contrast for you: Our first concert of the season was the largest we’ve ever had and our second is one of the smallest in recent memory, as we engage one of the most beguiling of all early music repertoires, the a cappella Italian madrigal.

The madrigal was one of the true tests of a composer’s skills in the Renaissance. The importance of depicting the emotions of the texts with ingenuity, originality, and flair increased, and composers used and improved on their best techniques; patrons had their most skilled performers to sing their works. Madrigals evolved from their humble, light-hearted beginnings into serious works of art, marked by variety, contrast, and quite a bit of humor.

TEMP's expert vocal ensemble brings to life some of these small gems, a few of which are in the Top 10 Renaissance Hits, such as Il bianco e dolce cigno by Jacques Arcadelt and Ancor che col partire by Cipriano de Rore. Many are rarely, if ever, performed locally: Luca Marenzio’s Satiati amor for 6 parts and O sonno, a bewitchingly insightful piece for 4 parts about the ‘elusiveness of sleep’ by Cipriano de Rore, are both revelatory and powerful. (There are, of course, a few pieces that were obviously meant for fun and pure entertainment, such as Orazio Vecchi’s 6-voice Tiridola, and others.)

The repertoire will come from the time-period of about 1535-1600, and will include three of Monteverdi’s many wonderful works from his Renaissance practice. And, of course, the concert would not be complete without Verdelot’s touching and moving title madrigal, Italia Mia.

Featured singers include TEMP regulars Gitanjali Mathur, Meredith Ruduski, Cayla Cardiff, Stephanie Prewitt, Paul D’Arcy, Jeffrey Jones-Ragona, David Lopez, Brett Barnes, and Thann Scoggin, with guests Ryland Angel (countertenor, New York) and Ron Downs (bass, Maryland) in his first TEMP performance. As a special treat, lutenist Scott Horton will perform a few versions of madrigals arranged for lute by the composers as well as by celebrated lutenists of the Renaissance.

The Italian madrigal in the 16th century was emotional, witty, daring, celebratory, passionate, sensual, experimental, and...gorgeous! These four-to-eight-part works are ideally suited for the intimate and lovely acoustic of First English Lutheran Church, located just north of the UT campus.

Preservare il passato.
Arricchire il presente.
Coinvolgere il futuro.
Si tratta di musica antica in una luce completamente nuova. Unisciti a noi.

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

Earworms, Mysteries, and Memories

I sort of thought that the earworms from La Pellegrina would go away while I was deep into research for the Madrigal Mystery Tour concert. I was sort of wrong. Jenifer Thyssen’s opening aria still resonates in my head; Ryland Angel’s “Arion” aria still catches me off-guard; the final half of Meredith Ruduski’s aria from the 5th intermedio just will not take an exit bow!! Not to mention many magical moments from the choral and/or instrumental parts and the finale, especially, that still enter my consciousness … and you know what, they can all stay for as long as they’d like! It was such a thing!

La Pellegrina photographs by Cecily Johnson

But, onward! Such is the joy of my job that I’m surrounded by a whole passel of Italian madrigals for the 2nd of our Italia Mia: That’s Amore! concert season. (And, in our never-ending effort to make things more confusing, half the title of the upcoming concert is Italia Mia — tricky, eh? But you’ll know why at the concert, if you don’t already…) I’m listening, reading, deciding on parameters, choosing, scoring, formatting Italian madrigals 45/8. Or something like that. More on the concert soon; In the meantime, I'm not giving away any info on which madrigals we're doing, so it will have to remain a mystery! Get it? Madrigal Mystery Tour?

There is sad news to impart: the early music world has lost two extraordinary teachers and performers: keyboard artist and orchestra director Christopher Hogwood passed away this week in Cambridge. Earlier this summer, American lutenist and master pedagogue Patrick O’Brien passed away as well. Both of them touched countless lives through teaching, recording, and concerts.

Christopher Hogwood (1941-2014)

Patrick O'Brien (1947-2014)

RIP.

Danny

Once again — From the top!

Well, alrighty then. I, for one, would like to do our La Pellegrina concert about 10 more times in a few choice locations around the US—not to mention a few places elsewhere—but I think I would have to get some more sensible shoes if we did. Alas, I think we must be finished, because I don't see any rehearsals or concerts on my calendar. Drat. it was great fun, it was lots and lots and lots of work for the TEMP Board—good thing they're used to working hard to promote TEMP and work around problems that arise—and for Allison, Meredith, Jonathan, and Tiffany. Lots and lots of work. 

We might do this again. Who knows? But it can never again be the first time that it's been done in Austin, or in Texas, or in the U.S. [in at least 30 years and maybe longer]. That's a lot of 'first times' that the media missed, but, oh well. That's why we love Austin—there are always lots of artistic things going on. 

To all of the Board and staff and performers and supporters: A most solemn, sincere, and sacred Thank You! Grazie mille! We can all still continue to "Be a Medici - but Nicer" by supporting the arts and, of course, by not defenestrating people. 

And now on to the Madrigals. Eeeek. Only 6 weeks! 

Danny

P.S. You can pre-order the La Pellegrina CD here:
http://www.early-music.org/recordings/lapellegrina

P.P.S. Check out the Time Warner Cable News 8 Austin segment on La Pellegrina below! 

Ferdinando + Christine for 625 years!

Ok, we are now three weeks out from dress rehearsal for our first concert of the new season, Let’s see here, what needs to be done? Take a nap? Check. Have some coffee? Check. Maybe another nap? Nah, not really! We’re brimming with excitement (and also with activity: there is indeed so much to do!) about this Texas premiere, all the very cool friends who will be assembling here in a couple of weeks for this concert, and the fact that it’s presented by KMFA Classical 89.5! Our very own Medici patrons! And the fact that we got so much very generous support from so many folks from all over the nation (and the UK!) in our Indiegogo campaign. Thanks so much! This would not be happening without you. 

I’ll be back soon with an update or two or three. In the meantime, here’s a reminder about the concert and the details! Stay cool! Sorry, couldn’t help but have a little wishful thinking….

Danny

Our Opening Concert:

 La Pellegrina: Music for a Medici Wedding
presented by KMFA Classical 89.5

 Saturday, September 13, 2014 at 8PM
Sunday, September 14, 2014 at 3PM
St. Martin’s Lutheran Church, 606 W.15th, Austin 

Texas Early Music Project’s opening concert of the 2014-2015 season will be a unique and extraordinary event: the performance of La Pellegrina: Music for a Medici Wedding. Created by some of the greatest composers of the Italian Renaissance for the spectacular wedding celebration of Ferdinando de Medici to Christine de Lorraine in 1589 Florence, La Pellegrina consists of six musical intermedi or acts for vocal soloists, small ensembles, full chorus, and a full orchestra of Renaissance period instruments.

 Not only will this be the Texas premier of the entire work but our research shows that this will be the first U.S. performance of the complete work since at least the early 1980s, and our September performance will generate the first American CD recording of La Pellegrina. This will be a unique opportunity and experience not just for TEMP and all the artists involved, but also for classical music fans and history buffs both within and outside the Austin community. This will be of interest to students of all ages, from those in middle school and high school to those who are lifelong devotees of education, the fine arts, and cutting edge experiences.

 We have gathered a stellar ensemble of over fifty voices and early music instrumentalists from across the country and there will be a full orchestra of period instruments, including viols, cornetto, sackbuts, harps, and lutes, authentically recreating the sounds of the Italian Renaissance. We have commissioned a poetic narrative written and performed by Lawrence Rosenwald, Anne Pierce Rogers Professor of American Literature at Wellesley College, revealing the mythology behind the six stories. Sara Hessel Schneider, producer of KMFA’s Ancient Voices, will provide the pre-concert lecture for both performances.

 TEMP soloist Jenifer Thyssen (soprano) opens the concert with one of the most simultaneously haunting and acrobatic arias imaginable, and TEMP regular Meredith Ruduski (soprano) and guest soloist Ryland Angel (tenor, New York) both have show-stopping arias in the 5th intermedio. TEMP newcomer Ariadne Lih (soprano, Canada) joins Meredith Ruduski and mezzo-soprano Erin Calata (Seattle) as the Three Graces in the charming and invigorating finale. All the soloists are also among the 26 voices that comprise the ‘core’ chorus. The 21-piece, period-instrument orchestra includes special guests Stephen Escher (cornetto, California), Mary Springfels (viola da gamba, Santa Fe), Phillip Rukavina (lutes, Minnesota), Tom Zajac (recorder & percussion, Boston), and more. TEMP regulars in the orchestra include harpists Therese Honey (Houston) and Elaine Barber, organ/continuo master Keith Womer, lutenist Scott Horton, sackbut (Renaissance trombone) players Nathaniel Brickens, Blair Castle, and Steven Hendrickson, viol players Jane Leggiero, John Walters, and Stephanie Raby, violinist Bruce Colson, and more.

Experience the beauty, brilliance, innovation, and passion of some of the best composers from Italy in the late Renaissance joined with the expertise, talents, and joy of TEMP and its guests in this momentous and celebratory concert, presented by KMFA Classical 89.5.

For more information, call 377-6961 and leave a message,
or email temp@early-music.org.

TEMP's Red-Letter Day!

August 6, 2014 was a red-letter day for TEMP! We surpassed our goal of $15,890 in our Indiegogo campaign for September's season-opener,  La Pellegrina: Music for a Medici Wedding, and then we had a party at Fino's to celebrate Allison Welch and Jonathan Riemer, who got the new TEMP website operational AND beautiful --- in fact, this very website you're looking at right now!

More soon! Really!

Danny

Fall is in the Air

Ah, October! My fave! Occasional hints of cooler weather, there are pumpkins at the grocery stores, there are pumpkin flavored drinks everywhere, the pumpkin bread tastes fresher, pumpkin pies are baking in the oven, and someone has at least hinted that she will bring some pumpkin beer bread to one of rehearsals this week?

Yes, in addition to ubiquitous pumpkin sightings (UPS) and it being my fave month, we have more yummy action: TEMP’s Sephardic concerts at First Presbyterian and Congregation Agudas Achim! Annette Bauer is here during her two-week hiatus from Cirque de Soleil and Peter Maund, Therese Honey, and Kit Robberson will all be arriving Thursday to join forces with all the Austin-based TEMP musicians for our first Sephardic concerts since May, 2011.

We hope to see you there!

See http://early-music.org/index.html for more info and tickets!

Danny